Every claim you make is a regulated statement
In most categories the creative team decides what the ad says. Here the constraint list arrives first, and pretending otherwise just means the edit dies in review.
What's different here
Fintech video fails in the same way legal video does: the cut gets made, compliance watches it, and it never ships. The rules that kill it are knowable up front — performance implications, missing risk disclosure, testimonials suggesting typical outcomes, comparisons that omit material terms. Treating those as inputs at storyboard rather than obstacles at review is the whole difference between a quarterly output and a single expensive re-edit.
Fintech & Financial Services clients
What video editing looks like for fintech companies.
These are the plays that wouldn't appear on a generic video editing page — they only make sense in fintech & financial services.
Design the disclosure into the frame
Risk language and capital warnings are usually appended as unreadable grey text over the end card, which satisfies nobody — not the regulator assessing prominence, and not the viewer. Designing it into the composition at legible size from the first frame clears the standard and stops it reading as an afterthought.
Explain the mechanism, not the outcome
You cannot promise returns, savings or approval. What you can do is show precisely how the product works, which is what a cautious financial buyer actually wants and what almost nobody produces. The constraint pushes the creative toward demonstration, which converts better than aspiration in this category anyway.
Build a pre-cleared asset library
A bank of approved phrasings, disclosure treatments and b-roll that compliance has already signed off turns each new edit into an assembly job rather than a fresh review. This is the single change that lets a regulated brand run creative volume at all.
Version by jurisdiction from the start
The same product needs different warnings in different markets, and retrofitting that into a finished edit means re-cutting around fixed text. Planning the disclosure as a swappable layer costs nothing at the storyboard and saves a full re-edit per market later.
What holds fintech companies back
Marketing and finance report different numbers
Platforms double-count conversions and browser tracking misses a third of events. Both teams use real data and reach incompatible conclusions.
Compliance-heavy funnels kill conversion
KYC requirements, disclosures, and long application forms are necessary — and brutal for completion rates unless they're designed carefully.
You're optimizing the wrong event
Application starts are easy to buy. Funded accounts are what make money. Most fintech ad accounts are optimized to the former.
Ad platform policy restrictions
Financial services face heavy ad restrictions. Account bans and disapprovals stall growth for weeks if you don't know the rules cold.
The full scope.
Everything in a video editing engagement, applied to fintech & financial services.
Hook library & testing
Every video ships with 3–5 alternate openers so you can test hooks without re-editing the whole asset.
Multi-platform aspect ratios
9:16, 1:1, 4:5, and 16:9 delivered from one edit — properly reframed, not just cropped.
Motion graphics & kinetic text
Branded lower thirds, animated captions, data callouts, and transitions that hold attention without distracting.
Sound design & mixing
Licensed music, SFX layering, dialogue cleanup, and loudness normalization per platform spec.
Burned-in captions
Frame-accurate captions in your brand style — 80% of social video is watched on mute.
Color grading
Consistent LUT-based grading so every asset looks like it came from the same brand.
UGC creator sourcing
Optional: we brief, source, and manage creators, then edit the raw footage into performance-ready ads.
Performance feedback loop
We review retention graphs and ad metrics monthly, then adjust the editing approach to what the data shows.
How this runs.
Creative strategy
Week 1We study your top-performing content and your competitors', then build a hook and angle matrix to work from.
Footage intake
OngoingYou upload raw footage to a shared drive — or we source and manage UGC creators for you.
First cut
48 hoursRough edit within 48 hours with hook variants, delivered on a review platform with timestamped comments.
Revisions
24h per roundUnlimited rounds until it's right. Most edits are approved in one or two.
Deliver & measure
MonthlyFinal files in every ratio, then a monthly retention review that shapes the next batch.
Fintech & Financial Services results, in detail.
Full case studies with the numbers, the mistakes, and the recommendations clients didn't want to hear.
Scoped like the core service, no surcharge.
Every engagement is quoted from your actual brief. There's no vertical surcharge for this combination — request a quote and we'll scope it properly.
Starter
Brands testing short-form for the first time.
Scoped to your brief
- 8 edited videos/month
- 3 hook variants each
- All aspect ratios
- Captions & basic motion graphics
- 48-hour turnaround
- Unlimited revisions
Volume
Paid social teams that need enough creative to find winners.
Scoped to your brief
- 25 edited videos/month
- 5 hook variants each
- Advanced motion graphics
- Custom sound design
- Dedicated editor + creative strategist
- Monthly performance review
- 24-hour rush available
Studio
Full production — shoots, creators, and post at scale.
Scoped to your brief
- 40+ videos/month
- On-location or studio production
- UGC creator sourcing & management
- Scriptwriting & storyboarding
- Dedicated post-production team
- Same-day rush turnaround
All engagements start with a free audit. Prices exclude media spend, which you pay directly to the platforms on accounts you own.
Fintech & Financial Services questions, answered straight.
Because most rejections are avoidable and predictable. In our experience the majority of what gets struck is one of about eight recurring issues, all of which can be written out at the script stage rather than discovered at review. We ask to meet the compliance reviewer before the first storyboard — not to negotiate, but to write the constraint list down. Teams that treat that person as an adversary produce work that dies; teams that treat them as a brief input ship.
Other services for fintech companies
Let's talk about your growth constraint.
In most categories the creative team decides what the ad says. Here the constraint list arrives first, and pretending otherwise just means the edit dies in review.
Our commitment: Send us your footage and we'll edit two videos free. If they don't beat your current best performer, you owe us nothing.